Over last nearly 4 years myself and Ian Coulson have been researching this bed which is made of carved mahogany for the footpost and bolt covers.
Over all the bed has been tested with timber analysis and finish examination both have opened up some very interesting finds. (More to come in the new volume of Mortise and Tenon Magazine)
It was while I was finishing of this article I came across a piece of furniture which has anomaly that has been recorded on a games table in the Philadelphia Museum of Art.
Winterthur Museum published The Cadwalader Furniture Study where they researched and finish tested known Cadawalader piece of furniture out of Museums and Private hands.
This study shows the history of each piece through finishes and repairs, it also openes up new findings regarding leg construction method, one we have not seen in period furniture making in the UK but there findings also found anomaly on the underside of the Games table (PMA).
Last weekend after reading a blog form a furniture Conservator regarding proportion which he uses for his reference a bit of furniture which had sold through a leading American Auctioneers.
It came with a impressive write up regarding its connection to a Carver this by the evidence left by his hand skills. It also stated that it was made in Philadelphia by design and execution plus backed by independent furniture experts.
While looking closely at these fantastic images which included close up detail shots something court my eye. It was not the fantastic carved decoration to the facade or the way the finish had broken down with age but for a simple photograph taken showing the back and its construction.
Just a few seconds of looking at the image the anomaly jumped out at me.
Why so quickly because i had seen it before first hand which was when we examined the bed at auction and then closer examination when the showwood of the bed was being restored.
This anomaly felt behind by a craftsmen and his tool in the preparation of the timber on the piece taken from the blog is more than likely to be the same timber aa used on the carved removable showwood canopy of the bed. Its shows the same dark staining and light colour orange timber on the edges leaving us to believe that the bed canopy and the piece from the saleroom are from the same workshop in Philadelphia circa late 1766s to 1770.
We can now add two fully documented bits of furniture connected to Philadelphia and with them add the bed and all its evidence to the fact that all three came from the same workshop.
Research is still on going.